Leaving the concert Pixies, Julie asked me recently what motivated my work around L'Oeil cacodylate . I told him he was confused to find me another family, hope infiltrate, incognito, in a photo of a group that hoped to do mine. An adoption application, sort of. These last two weeks have been very busy. Playing
Man Ray's Montparnasse (Hubert Lottman, Hachette Literature, 2001), re-reading of excerpts from Self Portrait (Actes Sud, coll. Babel, 1998, trans. The U.S. by Anne Guerin) and What I and other texts (Hoëbeke, presentation by V. Lavoie, 1998). Notes around Memoirs of oblivion Philippe Soupault (Volume I, 1914-1923 and Volume II, 1923-1926, Lachenal & Ritter, 1981 and 1986 respectively). I finally found the catalog Artcurial
"The universe Valentine Hugo "(Vintage Pierre Spivakoff - February 25, 2006) and
Workshop Man Ray, Unconcerned but not indifferent (catalog of the exhibition at the Pinacoteca Man Ray in Paris March 5, 2008 - June 1, 2008, ed. Man Ray Trust and La Fabrica). Scans and a variety. The latest: chapter "The Ox on the Roof" from the recovered memories of Kiki de Montparnasse (José Corti, 2005). The evening is (almost) rest with the reading of Raymond Radiguet 1903-2003 - Centenary Conference (texts and documents collected and published by P. Caizergues and M.-C. Movilliat Centre for the Study of the twentieth century, University Paul Valery, Montpellier III, 2005).
In passing, I note the reissue, in Attila, unusual Paris Jean-Paul Clébert, illustrated by photographs by Patrice Molinard. The text of John Paul Clébert, the discrete Celinian accents, is a marvel of literature.
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