Does Women Want A Hairy Genitals

Of all the signatories L'Oeil cacodylate , they were the most popular. The general public worshiped them, painters (Fernand Léger, Miró - which devotes two canvases in 1927), the poets, writers have been consistently doing their praise. Darius Milhaud

Darius Milhaud and Fratellini at the time of the creation of the Ox on the Roof © Archives Darius Milhaud

wrote a version for piano and small orchestra, after Beef his rooftop entitled Tango Fratellini (Op. 58c). Milhaud later testify: "After dinner, attracted by the steam rides, shops mysterious, the Daughter of March, shooting, lotteries, menageries the noise of mechanical organs in perforated rolls that appeared to grind relentlessly and simultaneously all the blare of music hall and magazines, we went to the Fair of Montmartre, and sometimes the circus Medrano to attend Fratellini sketches of which reflected so much imagination and poetry that they were worthy of the commedia dell'arte. "(1) Advertising seized their success (we see them posing in front of an Amilcar, the car brand preferred Fatty), countless toys were manufactured in their own image, not to mention the pins, combs, glasses until wallpaper designed for children's bedrooms. From 1923, a certain Pierre Mariel devotes a book: The Fratellini. Story of three clowns . (2) Paul Poiret designed a costume for Francis, Rita Hayworth, Fred Astaire, Douglas Fairbanks (among hundreds of other admirers, not least) signed their guestbook. June 29, 1924, Fratellini (Paul, 1877 - 1940 Francis, 1879-1951 and Albert, 1886 - 1961) gave their last performance in Medrano. A few days later, under the pen of lyrical Fréjaville Gustave, was quoted in Comœdia : "They were applauded enthusiastically recalled acclaimed. Sheaves of flowers have invaded the runway. And as we were shaking hands after the performance, in this picturesque lodge a hundred times described, we have witnessed a moving spectacle that does not marred mediocre romance: while Paul was trying to hide his emotion as an activity eager and his prodigal friends for the kind words, while the enigmatic Albert, always inscrutable, was struggling silently with an affected application, to destroy his face mask of his prodigious track, Francis, himself, had no thought and simply pretend to large tears, sobbing, desperate for recognition and regret, crying like a child. "(3) De Medrano Circus in Winter through numerous tours in the provinces and abroad, their success will last thirty years. In 1955, Albert publishes memoirs under the title of the trio

We the Fratellini in which he does not omit to note L'Oeil cacodylate (pp. 228-229):

(1) Darius Milhaud, My Happy Life , Belfond, 1974, p. 84. (2) Paris, Société Anonymous Editions.

(3) Comœdia , July 3, 1924.

(The title of previous post that the book took over from Paul Joostens but it seems that the directors have seen fit to consider it as an affront to decency ... in order to highlight Erase?)