Poems About Separation

One Saturday to Galleries. .. Dedications to Galleries Lafayette







Boulevard Haussmann, a Saturday in December, The throat. I slalom between people and Kadis of chestnuts (j'hume that by the way). I'm rather pressed or stressed ... Feet on the ground and head in the illuminations in Paris, I'll make my signings at the Galeries Lafayette!
On the sidewalk opposite the Spring put his headdress winter, it displays an ad with my Swatch illustration, it is huge! Gulp!
ReGloups! Seeing my picture on the Peron galleries! Funny day, I swear!
The dedication went well, and despite the effervécence preparations for Christmas, my meetings were cordial and Zen. Thank you to you who came to see me.
was reassuring to see that the next day my ankles were returning again in my boots. It was just a special day, rather excited, and I wanted you to share it.

Thanks to Frank, Lisa and Galeries Lafayette.

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Sacred Francis!

Juliette Roche before L'Oeil cacodylate , referring to Dada in New York at the age of 87 years

You have been closely linked, of course, with Marcel Duchamp, Picabia and Gabrielle Buffet. I guess you have lots of stories about them and about that period.

First persecutions by Picabia, who was persecuting me insistently. He did not like war, me neither, but only, I tried to think of something else, then I read, I worked, I never read newspapers. On days when the news was particularly bad, Francis was very depressed. As we lived in the same house, the house that belonged to Madame Varese (who was not even Madame Varese this time, for that matter), he mounted a stage and he came to me with a stack of newspapers and read me all the more depressing things. Naturally, I found it very unpleasant. And then he went down again, telling his wife: "I depressed Juliet, I'm much better. "It was very fun because the ground floor occupied by Picabia was something incredible and he always had a bunch of people around him, people quite" wreck " including Craven, and all that was sweeping through the night, even if they had been elsewhere [before] until two or three o'clock in the morning ... it lasted until dawn. [...]

born in mind dada (28/03/1971). Directors: Hubert Knapp and Philippe Collin.

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It was December, the cold was intense, Picabia was wrapped in sweaters and scarves of wool, but was not wearing a hat. He hugged me hand with courtesy while English and ignored others. His presence gave a certain cachet to the opening. The gallery was filled and I was surprised there were so many people and I was hopeful. The price tables had been set to a minimum. If they were selling well, I could begin. I made a new series of paintings more unusual than any I had previously painted. Much of the conversation escape me, but I was much hand shaking and I realized that made me compliments. A strange little man, talkative, aged about fifty years, came me and took me to one of my paintings. With his little white beard, his pince-nez in the old style, his bowler hat, his coat and black umbrella, he looked like a funeral director or employee of a custodian bank. The preparations for opening me tired, the gallery was not heated, I shuddered and said, in English, I was cold. He answered in English, took my arm and led me out to the corner cafe, where he commanded the grog. There he introduced himself: Erik Satie, and continued to speak French. I told him I did not understand. He gave me a mischievous look, amused, and said that it had not matter. (Man Ray, Self Portrait , trans. Anne Guerin, Babel Actes Sud, 1998, pp. 159-160).

By scanning this catalog of the first Paris exhibition of Man Ray that I discovered that one of his works (Catalog No. 25, dated 1922) was called Isadora Duncan naked. Having reviewed most of the books and catalogs devoted to Man Ray, so I run a search. If someone could inform me about this work (is it a Painting, drawing?) and, at best, provide me a copy, it would be before Christmas time. Two impressive books have been published: a biography of Satie by Jean-Pierre Armangaud

and Correspondence with artists (1903-1918) Apollinaire,

respectively 600 and 944 pages, enough to spend the winter in the best company possible.

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If you fancy shopping for Christmas in the middle of December at the Galeries Lafayette House, plus a Saturday!! I got you, above my little manual expansion planned for this event ...

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Visual for Place trends

Visual establish trends. December 2009

Respiration Of A Reptile

Wanted To lose the food and drink

Leaving the concert Pixies, Julie asked me recently what motivated my work around L'Oeil cacodylate . I told him he was confused to find me another family, hope infiltrate, incognito, in a photo of a group that hoped to do mine. An adoption application, sort of. These last two weeks have been very busy. Playing

Man Ray's Montparnasse (Hubert Lottman, Hachette Literature, 2001), re-reading of excerpts from Self Portrait (Actes Sud, coll. Babel, 1998, trans. The U.S. by Anne Guerin) and What I and other texts (Hoëbeke, presentation by V. Lavoie, 1998). Notes around Memoirs of oblivion Philippe Soupault (Volume I, 1914-1923 and Volume II, 1923-1926, Lachenal & Ritter, 1981 and 1986 respectively). I finally found the catalog Artcurial

"The universe Valentine Hugo "(Vintage Pierre Spivakoff - February 25, 2006) and

Workshop Man Ray, Unconcerned but not indifferent (catalog of the exhibition at the Pinacoteca Man Ray in Paris March 5, 2008 - June 1, 2008, ed. Man Ray Trust and La Fabrica). Scans and a variety. The latest: chapter "The Ox on the Roof" from the recovered memories of Kiki de Montparnasse (José Corti, 2005). The evening is (almost) rest with the reading of Raymond Radiguet 1903-2003 - Centenary Conference (texts and documents collected and published by P. Caizergues and M.-C. Movilliat Centre for the Study of the twentieth century, University Paul Valery, Montpellier III, 2005).

In passing, I note the reissue, in Attila, unusual Paris Jean-Paul Clébert, illustrated by photographs by Patrice Molinard. The text of John Paul Clébert, the discrete Celinian accents, is a marvel of literature.

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"I have nothing to dire De Massot

"Picabia, I knew first, separated from him, the first wife, Gabrielle Buffet. She spoke of her husband (unforgettable), friends (including Marcel Duchamp). Excellent musician, she would not ignore our attempts. Francis the seducer, who returned from America to France, went to live at La Muette, bou-boulevard Émile Augier, in Germaine Everling, companion among all smiling and seductive. We met at that time and he decided to receive, every Sunday, which I had some familiar quickly

Georges Auric by Valentine Hugo. Pencil Drawing, 1921. © Collection H. Sauget.

the happy privilege to be associated, lunches, long afternoons when I learned to love a host of funny sometimes unsurpassable. After refusing to go to coffee Certa, so I went Boulevard Emile-Augier. Alerted at the right time, I found Tzara, Picabia invited to come and stay upon his arrival in Paris. Immediately, the two men seemed to me curiously contrasted with the character, personality. Faced with Picabia, its verve, its spontaneity, Tzara suddenly looked like a provincial somewhat startled by the middle of Paris. Silent, erased, almost dull, the messiah of "Dada" rather poorly attempting to free himself, articulating occasionally two or three sentences that were explosive for him. "

Georges Auric, When I was there, Grasset, 1979, pp. 113-114.

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But what's that Bazaar!



A big thank you to all those who write and follow my Bazaar and I will be there for a day dedication Saturday, October 24 at Grand Bazaar Hotel de Ville. See you there, we can chat a bit!

Solution Of John Hull Options And Futures

in English for The Little Review

QUESTIONNAIRE

1. What should you most like to do, to know, to be ? (In case you are not satisfied).

2. Why wouldn’t you change places with any other human being ?

3. What do you look foreward to ?

4. What do you fear most from the future ?

5. What has been the happiest moment of your life. The unhappiest ? (If you care to tell).

6. What do you consider your weakest characteristics ? Your strongest ? What do you like most about yourself ? Dislike most ?

7. What things do you really like ? Dislike ? (Nature, people, ideas, objects, etc. Answer in a phrase or a page, as you will).

8. What is your attitude toward art today ?

9. What is your world view ? (Are you a reasonable being in a reasonable scheme ?)

10. Why do you go on living ?

* * *

1. Nothing to answer to this, not that my own life satisfies me, but rather that the lives of others disgust me.

2. I don't care enough about anything not to change places with the first person who came along.

3. Perpetual revolution in every realm.

4. Night, in certain eyes ?

5. Don't know. – When I discovered that my sweetheart had true lesbian tastes, although they were ardently desired and provoked by myself. (Cf. Freud.)

6. A certain imbecilic inclination towards indulgence. – My capacity for scorn.

7. a) Solitude, drugs, my bull-dog, fourteen year old girls.
b) Soldiers, priests, the police, children and their whores of mothers, religions, dogmas and faiths, the abominable idea of fatherland.

8. Absolute indifference. (I'd give a hundred painters, a hundred musicians, a hundred poets, for one Lenine).

9. Eh bien, merde.

10. For love of death.

in The Little Review , Spring number, May 1929. Vol. XII, n° 2, pp. 45-46.

Puritan View Of Nature Romantic Period

A pure anecdote, by Philippe Soupault

Couverture du catalogue de l'exposition Picabia, galerie Danthon (1923)

Chapter "mistreat our idols," I can not resist the urge to reproduce here a note from Philip Soupault, found in a catalog Sales and written in the margin of his copy of The Adventure dada (Georges Hugnet Institute Gallery, Paris, 1957), following the sentence "The nature of Picabia warm"

"Picabia was jealous, suspicious, bad boyfriend, vain, and especially terribly shy. Picabia Guillaume Apollinaire regarded as a chameleon. Both saw themselves as wary of china dogs. "

is not here to take at face value the statement of Philip Soupault but to consider it as an indication (to paraphrase Thomas Bernhard) to pay the rich record of history "alternative" of the Dada movement.

Paste Like Cm Before Menstruation

Mômes



I hope you'll love these 3 kids, I mixed fabrics and inks for the dress, the whole refined on my wacom and shoo!

Does Women Want A Hairy Genitals

Of all the signatories L'Oeil cacodylate , they were the most popular. The general public worshiped them, painters (Fernand Léger, Miró - which devotes two canvases in 1927), the poets, writers have been consistently doing their praise. Darius Milhaud

Darius Milhaud and Fratellini at the time of the creation of the Ox on the Roof © Archives Darius Milhaud

wrote a version for piano and small orchestra, after Beef his rooftop entitled Tango Fratellini (Op. 58c). Milhaud later testify: "After dinner, attracted by the steam rides, shops mysterious, the Daughter of March, shooting, lotteries, menageries the noise of mechanical organs in perforated rolls that appeared to grind relentlessly and simultaneously all the blare of music hall and magazines, we went to the Fair of Montmartre, and sometimes the circus Medrano to attend Fratellini sketches of which reflected so much imagination and poetry that they were worthy of the commedia dell'arte. "(1) Advertising seized their success (we see them posing in front of an Amilcar, the car brand preferred Fatty), countless toys were manufactured in their own image, not to mention the pins, combs, glasses until wallpaper designed for children's bedrooms. From 1923, a certain Pierre Mariel devotes a book: The Fratellini. Story of three clowns . (2) Paul Poiret designed a costume for Francis, Rita Hayworth, Fred Astaire, Douglas Fairbanks (among hundreds of other admirers, not least) signed their guestbook. June 29, 1924, Fratellini (Paul, 1877 - 1940 Francis, 1879-1951 and Albert, 1886 - 1961) gave their last performance in Medrano. A few days later, under the pen of lyrical Fréjaville Gustave, was quoted in Comœdia : "They were applauded enthusiastically recalled acclaimed. Sheaves of flowers have invaded the runway. And as we were shaking hands after the performance, in this picturesque lodge a hundred times described, we have witnessed a moving spectacle that does not marred mediocre romance: while Paul was trying to hide his emotion as an activity eager and his prodigal friends for the kind words, while the enigmatic Albert, always inscrutable, was struggling silently with an affected application, to destroy his face mask of his prodigious track, Francis, himself, had no thought and simply pretend to large tears, sobbing, desperate for recognition and regret, crying like a child. "(3) De Medrano Circus in Winter through numerous tours in the provinces and abroad, their success will last thirty years. In 1955, Albert publishes memoirs under the title of the trio

We the Fratellini in which he does not omit to note L'Oeil cacodylate (pp. 228-229):

(1) Darius Milhaud, My Happy Life , Belfond, 1974, p. 84. (2) Paris, Société Anonymous Editions.

(3) Comœdia , July 3, 1924.

(The title of previous post that the book took over from Paul Joostens but it seems that the directors have seen fit to consider it as an affront to decency ... in order to highlight Erase?)

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The news of the day

The news of the day is that the book "Illustration now3" published by TASCHEN is finally out.
And I is part of the new selection of artists! I'm thrilled! Julius Wiedemann thank you, it's an honor!

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New campaign Swatch


Here is a preview of the collection Swatch Bijoux Fall / Winter. The catalog is printed on fine paper, you can buy it in shops or stalls Swatch.

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"completed the day of the year 22 Ste Bitch", published in Antwerp in 1922 by Editions Ça Ira, Sluts ( A quarter of an hour of rage or [ the ] sun hatless ), written in 1921 by Paul Joostens (1889-1960) is again available through Editions Allia. (1) This short text is followed by Dada The guy lit . One may regret the occasion of this reissue, ethics instruction offered by Allia, who had the opportunity to enlighten the reader on this Belgian author whose prose of the rarest similar to that Pansaers here. For more information on P. Joostens , see: "Paul Joostens by Paul Neuhuys (1961) published by Elsevier for the Ministry of Education Public (Brussels) and the "aborted monograph by Alain Germoz published in the Gazette No. 36 of Foundation Ça Ira (December 2008). (1) Bitches had already been republished in facsimile in 1995 (500 copies) Petraco-Pandora (Antwerp). Only the original cover (silver glitter) was not reproduced identically.

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Trail to the Stars "Tabu" by Jean Crotti

Find documents which were not known and primary interest to his research is a reward that we savored at length. Among the latest documents discovered recently (the library Kandinsky is a mine), the text of Jean Crotti appeared in The Little Review (number Picabia, Vol. VIII, No. 2, Spring 1922, pp.44-45):

Still on "Jean Crotti," I expected to see some of Suzanne Duchamp archives, including a folder containing many unpublished documents. To be continued ...

Heartburn And White Tongue

The fifth season of world

I just finish reading The fifth season of world Tristan Ranx , a novel that should hopefully meet with readers as it is in my view a genuine literary achievement.

The romance of Tristan Ranx introduces in turn a fiction in history and a part of it in fiction of the most effective, so that reading a few pages are enough to shake the usual benchmarks and standards reader. Control narrative is such that certain historical facts appear as fictional elements and, conversely, purely fictional situations come to take the color patina of history.

Tract F. Azari, futuristic aviator, April 1919

Marthe Chenal and Gabriel D'Annunzio ( Picabia, watercolor and pencil, circa 1929). ©

Contrary to what has been alleged against the author, The fifth season of world is in no way burdened by "historical and literary references" because they are fully integrated and controlled through a very elaborate narrative structure - and yet does not appear as such, an obvious sign of success, like the "Afterword" entitled "Life and death Guido Keller, "which also presents discrete Borgesian accents. One thinks especially of literary reviews of the author of Fictions . When writing a novel largely about the Free State of Fiume, Tristan Ranx - who calls both men are part of history as D'Annunzio and Guido Keller and characters which lie halfway between fiction and reality, as Colossus and Imna Oly (femme fatale of the novel?) - features a TAZ led by strong, pirates, anarchists, poets and artists life.

"Keller's world, this fifth season, is a standby force and the manuscript of Enzo Cellini already seems like the Rosetta stone of a reality that is also built into the virtual world. It is not a "second world" depressing, but a real machine acting in concert in fiction and in reality, returning from point to point to the existence of a Dadaist revolution that plays with space and time. "

The fifth season of world Tristan Ranx, Millo Max editions.